Accompanied by a representative of the U.S. Embassy in Managua, Brooklyn-born rapper George “Ritmo” Martinez and DJ Smash toured some of the more depressed barrios in Nicaragua this week in an attempt to inspire at-risk youth by channeling their creative talents through hip-hop. The “cultural ambassadors,” as a U.S. embassy called them, visited León, Rivas and Managua this week, where they discovered that the U.S.-born art form is well-received among young Nicaraguans.

Martinez said Nicaraguan culture has a “different type of feel” than other Central American countries. “There’s a sense of optimism, hopefulness here that’s not in other places. Most people have some sort of connection to this culture of hip hop. It’s hip hop al estilo nicaragüense,” he said. (more…)

ALMOST every taxi stereo vibrates with its beat, its images inevitably flicker across your screen as you surf the TV news channels, its graffiti is scrawled across the back of buildings and in all the alleyways - it’s hip hop, Mongolian hip hop to be precise.

Although a relatively recent arrival to the land of the blue skies and throat singers, the unmistakable sound of the rhyming raps over the bass-laden backbeats has reached a level of ubiquity in the nation’s popular culture. “Hip hop is the movement of the moment,” says Benj Binks, an Australian filmmaker so intrigued by the Mongolian take on this American cultural movement that he is making a documentary on the subject. (more…)

It’s a world in which hundreds of hip-hop groups are forming across the island, inspired by not only the love of the beat, but of the forceful, often-political, empowerment that it brings. But unlike hip-hop in the United States, there’s no promise of a better life in Cuba for rappers or those who crave that musical motivation for change.

Albuquerque’s Cyrus Gould knows the world news well. Gould, 26, is among the more than 130 Pastors for Peace volunteers from the United States, Canada and Europe who will challenge what they believe is the immoral and illegal U.S. travel and trade restrictions against Cuba on July 3. Gould and a few others were picked up by a caravan winding its way across the U.S. on Thursday night. (more…)

Take music and DJs, breakdancing, graffiti, rhythms and poetry. Swirl it around. The result is hip-hop, which has recently become a tool to fight human trafficking in Brazil. The new video clip “Don’t Traffic,” by a hip hop group from the outskirts of the capital Brasilia, is reaching youngsters with simple and effective language. “The message uses their own language, including slang,” said 25-year-old group member Allison Costa. “These lyrics stick.” (more…)

I saw this cat open up for Kweli once, and he ripped it. Soobax, (pronounced “sohbah”) the first single from K’naan’s upcoming album “The Dusty Foot Philosopher Deluxe Edition,” is percussion-fuelled protest music at its finest. Set in K’naan’s native Somalia, the song is a fervent look at life in a war-torn country ruled by competeing warlords and their gangs. (more…)

Allan Pineda Lindo knew struggle and perseverance early in life. An abandoned child of an American serviceman stationed at the former Clark Air Base in Pampanga, he planted rice and other crops to help his mother earn a living. When the opportunity came for him to travel to the US, he learned to speak English by reading a dictionary.

Now that he’s achieved success as a hip-hop artist, Allan ― better known as apl.de.ap of the Grammy-winning, internationally famous Black Eyed Peas ― says he wants to reconnect and give something back to his native land. (more…)

In a radio ad sponsored by the U.N. peacekeeping mission in Haiti, Grammy Award-winning musician Wyclef Jean is asking his fellow citizens to give up crime and work to improve the country.

“If you love Wyclef, that means you love Haiti. So you should not be raping women, kidnapping people and children, because there can be no excuse for doing so,” Jean said in Creole in a short ad run several times a day by local stations in Haiti. (more…)

Sudanese hip hop artist and former child soldier Emmanuel Jal participated at last week’s three-day African hip-hop conference held at Harvard University. The conference, sponsored by Harvard’s Cultural Agents Initiative and the Ford Foundation, drew 38 panelists from 11 countries.

Jal, who was forced to fight in the Sudanese People’s Liberation Army from the time he was about six years old until he dramatically escaped the rebel army when he was about 13, sees hip-hop as one avenue to peace, tolerance and literacy for millions of African youth. (more…)

Nickson Mberam has carried a machete and been ready to kill. “In this situation,” says the dreadlocked Kenyan hip-hop artist, “you turn into somebody you’re not.” Rapper Richy Rich agrees. “We’ve been through chaos,” he says. “We’ve felt anger and guilt. I’ve looted, I’ve stolen food - because I had nothing to eat.”

Along with other hip-hop artists - including 23-year-old Tim Mwaura, who mops floors by day in a fast-food restaurant, and performs fast-flowing poetry by night in the Kenyan capital’s ghetto clubs - they have formed the Hip Hop Parliament, a collective determined to denounce, through rap, the violence engulfing their communities. (more…)